Y. Savage
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Enthusiastic |
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Normal |
Game: Popmundo |
Points: 145 |
Days Active: 651 days |
Latest Blog Post
(x1.75) Tongue Unleashing Arch #1
The CoachWhenever Yael was feeling down, making music with her best friends helped a lot. As she recently confessed, when she made music with her ex, she felt inferior in some way, not at the top skill, and what she needed now was to feel equal and maybe, once and for all, fulfill a promise made not just to one but to two people. That's how Armed Resistance of the Heart was born.
Andrew flows, but Clément is demanding. "You’re not going to hold that note for 6 seconds, this is punk." Yet practicing The Offspring! However, according to her coach, Yael’s vocal strength lies in the ease and clarity with which she modulates her voice across different tones. Her strength lies not in power, but in the speed at which she transitions between notes. For this reason, her coach spent the last week doing vocal acceleration exercises with her, and she didn’t lose diction.The TherapyYael didn't know, but she had discovered that by thinking rhythmically after these exercises, she was also accelerating her thought process.—Can you imagine being the good girl all your life? If I could, I’d punch a bag, one of those hanging from the sailings. But I’d hurt my knuckles! Yet here you ask me to spill what’s inside, but I can’t find the way, no matter how I’ve tried.
I may seem selfish, but is that the truth? Maybe I’ve wanted things, just like you... But every time I speak of what I desire,
It’s always wrong, it’s always caught in the fire.
Always. Always. It's the same old fucking song,
Trying to be right, yeah, but always fucking wrong.
—Did you know that in Queens there's a group of people who gather to insult each other? They do it like this, forming badass rhymes, but it’s not the one who yells the loudest who win but the one with the flow. They release their shadows that way. Suits you better than breaking your knuckles.
Posted 3/26/2025, 9:00 AM
All characters in Popmundo are fictitious. Any similarity to any person living or dead is merely coincidental.
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