1133774

Natassia Hudson

Popularity

Building your popularity is crucial to your success as an artist. Build your popularity by performing well on stage and talking to the media while you tour the world.

City Popularity Exposure
Amsterdam 5 dreadful 100
Ankara 7 poor 34
Antalya 6 terrible 25
Baku 6 terrible 23
Barcelona 3 bottom dwelling 5
Belgrade 3 bottom dwelling 5
Berlin 3 bottom dwelling 5
Brussels 3 bottom dwelling 5
Bucharest 3 bottom dwelling 5
Budapest 3 bottom dwelling 8
Buenos Aires 11 decent 51
Chicago 13 pleasant 82
Copenhagen 3 bottom dwelling 5
Dubrovnik 3 bottom dwelling 12
Glasgow 3 bottom dwelling 5
Helsinki 3 bottom dwelling 5
Istanbul 4 horrendous 10
Izmir 5 dreadful 23
Jakarta 10 above average 38
Johannesburg 8 below average 31
Kyiv 3 bottom dwelling 5
London 3 bottom dwelling 5
Los Angeles 14 good 71
Madrid 3 bottom dwelling 5
Manila 7 poor 25
Melbourne 10 above average 49
Mexico City 13 pleasant 63
Milan 3 bottom dwelling 5
Montreal 7 poor 79
Moscow 3 bottom dwelling 5
Nashville 13 pleasant 77
New York 3 bottom dwelling 5
Paris 3 bottom dwelling 5
Porto 3 bottom dwelling 7
Rio de Janeiro 13 pleasant 60
Rome 3 bottom dwelling 5
São Paulo 12 nice 52
Sarajevo 3 bottom dwelling 7
Seattle 13 pleasant 69
Shanghai 9 mediocre 34
Singapore 10 above average 49
Sofia 3 bottom dwelling 5
Stockholm 3 bottom dwelling 5
Tallinn 3 bottom dwelling 5
Tokyo 7 poor 26
Toronto 3 bottom dwelling 5
Tromsø 3 bottom dwelling 5
Warsaw 3 bottom dwelling 5
Vilnius 3 bottom dwelling 5

Market Segment Popularity

To increase your popularity within a market segment, you need to cater to its interests. Your Market Segment Popularity is determined by how much the market segment like the genres represented on your records and by how famous you are throughout the world. Your record sales are partially based on how popular you are among the different Market Segments.

The market segment popularities for this artist was last updated 3/10/2025.

Market Segment Popularity
Teenage Boys 27
Adult Women 21
Adult Men 21
Teenage Girls 20