Popularity

Building your popularity is crucial to your success as an artist. Build your popularity by performing well on stage and talking to the media while you tour the world.

City	Popularity	Exposure
Amsterdam	3 bottom dwelling	5
Ankara	3 bottom dwelling	5
Antalya	3 bottom dwelling	5
Baku	3 bottom dwelling	5
Barcelona	9 mediocre	51
Belgrade	3 bottom dwelling	5
Berlin	3 bottom dwelling	5
Brussels	3 bottom dwelling	5
Bucharest	3 bottom dwelling	5
Budapest	3 bottom dwelling	5
Buenos Aires	3 bottom dwelling	5
Chicago	9 mediocre	37
Copenhagen	3 bottom dwelling	5
Dubrovnik	3 bottom dwelling	5
Glasgow	3 bottom dwelling	5
Helsinki	3 bottom dwelling	5
Istanbul	3 bottom dwelling	5
Izmir	3 bottom dwelling	5
Jakarta	6 terrible	17
Johannesburg	9 mediocre	39
Kyiv	3 bottom dwelling	5
London	3 bottom dwelling	5
Los Angeles	7 poor	39
Madrid	7 poor	18
Manila	6 terrible	13
Melbourne	3 bottom dwelling	5
Mexico City	3 bottom dwelling	5
Milan	3 bottom dwelling	5
Montreal	5 dreadful	12
Moscow	9 mediocre	42
Nashville	8 below average	27
New York	7 poor	23
Paris	3 bottom dwelling	5
Porto	3 bottom dwelling	5
Rio de Janeiro	3 bottom dwelling	5
Rome	3 bottom dwelling	5
São Paulo	3 bottom dwelling	5
Sarajevo	3 bottom dwelling	5
Seattle	7 poor	26
Shanghai	3 bottom dwelling	5
Singapore	3 bottom dwelling	5
Sofia	3 bottom dwelling	5
Stockholm	3 bottom dwelling	5
Tallinn	3 bottom dwelling	5
Tokyo	5 dreadful	7
Toronto	5 dreadful	10
Tromsø	3 bottom dwelling	5
Warsaw	3 bottom dwelling	5
Vilnius	3 bottom dwelling	5

Market Segment Popularity

To increase your popularity within a market segment, you need to cater to its interests. Your Market Segment Popularity is determined by how much the market segment like the genres represented on your records and by how famous you are throughout the world. Your record sales are partially based on how popular you are among the different Market Segments.

The market segment popularities for this artist was last updated 11/11/2024.

Market Segment	Popularity
Adult Women	9
Adult Men	8
Teenage Girls	8
Teenage Boys	8